The last of the Sally Lockhart quartet. Published in 1994, Pullman notes on his website how this was the most enjoyable of the books to write. This book is different from the first three books in two major ways: 1) It is not set in Victorian England, and 2) Sally Lockhart is not the protagonist and remains missing for most of the novel. The setting is a fictional kingdom in Prussia called Razkavia involving the eponymous Adelaide as one of the protagonists, Jim as the male lead, and a 16 year old named Becky as another female lead. Becky’s age reminds me of Sally in the first book, and I love that Sally has become the type of woman. I can see how much fun it must have been to write because it’s certainly less intense and in a better setting than the first three novels. It was really good to read about Jim again because I missed him when he was absent from the last book. While I liked this book as I did the others, I found that I really missed Sally. Not that the two strong female leads weren’t well written. Indeed, I was reminded in this novel about how Pullman is very good at writing female characters. I’ve grown quite attached and fond of Sally Lockhart, and it was almost jarring not to have her in this novel knowing she could be involved. This book also followed what I consider to be the most extreme of the thrillers so this did not affect me as much as a reader. Still another quick page turne, and I’ve liked every ending for the characters in the series. Pullman notes on his website that he still has ideas for adventures for these characters. Who knows if he’ll ever publish another Sally Lockhart & Co book, but the year after this one, Northern Lights / The Golden Compass was published, beginning one of the most interesting trilogies of recent years.

When I read the summary for this, it seemed very psychological and intense. I’ve grown quite attached to Sally Lockhart and the other characters. Sometimes I think Pullman is as good as Dickens when making up Victorian characters. The actions in this novel were very horrible to read about because the idea of having one’s child taken away from you especially in a patriarchal, puritanical society such as Victorian England is extremely cruel. I can’t imagine being in Sally’s situation, and while it is sensationalist and fictional, the historical accuracy in these books is more or less correct. I really wanted to get to the end so it could be all resolved and see how it all was connected. The only one grievance I have was that I knew who the enemy was when reading the summary, but it took Sally 3/4 of the book to figure it out which I don’t blame her since I’ve read many more books, movies and television shows. Once again, another good thriller from Pullman, and probably the most tense so far. Though, I’ve noticed he tends to like to use the chilling and malicious monkeys.

My original plan after reading The Ruby in the Smoke was to write a big review of the whole Sally Lockhart quartet because I wrongly assumed the other three books would be as short as that first book. I should have foreseen this as it happened with the His Dark Materials too. Unlike HDM, these books can stand alone, but that doesn’t mean there is not a not a hook to connect these Victorian mystery thrillers. They are definitely page turners, and while I have little experience in adult mysteries or thrillers, I’ve enjoyed the young adult ones I have read. Pullman is not a writer who writes specifically for an age group, and I’ve always been in the belief that adults should read good books no matter the intended age group, just as young adults should read adult books if they are mature enough readers for it. He has admitted on his website that he wrote them with melodramatic undertones, but resolves them in his realistic style and detail (he calls fantasy classified HDM “dark realism”). One of the highlights in this series is the ensemble cast of characters; I thoroughly enjoyed them in the first book and found it almost comforting to see how much has happened since tRiS (six years between the two books). I did not understand how engaging the book was until I found myself shocked at the climax. Well played, Mr Pullman. As much as I want to read the next book, it looks particularly intense that I’m going to hold it off for a nonfiction or two. These books require one or two sittings to finish off before bed.