Category: Movies

This lists any series or seasonal shows I have watched in marathons during the month, but also whenever I want to write about shows I am watching. Smaller mini series will tend to go in Monthly movies.

Switched at BirthSwitched at Birth – Watched episodes S1x01 to S1x11 in a few days and the new episodes since. I haven’t watched any ABC Family shows since the 90s I think. I was quite surprised how much I liked this, but I really hand’t heard anything about it until the new half of the season started. I found it addictive. Yes, it has some cheesiness, but it also has some decent storytelling. I like all the characters and I think the teens on this show are better than on most other other teen/family shows. Definitely one of my regular shows now.

HomelandHomeland – The complete first season. All the critics are saying that this is one of the best new shows of Fall 2011 and I’m inclined to agree. The acting in this is stellar. I have been indifferent to Claire Danes in the past, but this drama demonstrates what an incredible actor she is. I particularly liked the chemistry she has with Demian Lewis in this; I’m still not sure what to think about the Brody character. Maybe that’s the point though. The ending of the season was depressing if only because Carrie is a Cassandra, and I hope she gets more recognition in season two. Also more scenes with her and Brody and her and Saul (ever charismatic and talented Mandy Patinkin). I love how technology has allowed it for me to easily one season of a show in a few settings. It’s actually quite intense and more satisfying since I’ll be able to see so quickly what happens next.

Sherlock S2Sherlock series 2 – I haven’t seen the new movie yet. I did set my mood by reading House of Silk first before starting this. Off the bat, I liked this more than the first series. In general, I have some issues with this modernization of the Holmes stories. The plots and some of the story characters are heavily adapted to suit the times. I do not like what they did with Moriarity for one thing. He is ridiculously petulant and over the top. The Irene Adler in this series is not in the spirit of the Adler of the books either. Though, I enjoyed Scandal in Belgravia for the most part. The thing I liked about Irene in the book was her actions were for protection and keep herself alive.This Irene’s actions were too over the top villainous. I am also not sure of what to make of the Hound of Baskerville adaptation either; I guess atmospherically it was similar? On a positive note, I do like Martin Freeman and Benedict Cumberbatch. I think the adaptation of these characters and their friendship is the best thing about the series. I like that John Watson here is more or less the Watson in the books in spirit. Sherlock here is dry and insular, but not as much as the one in the books. The finale was good too. It made me excited for series 3 which is a good sign.

The Transporter
The Transporter ( rewatched 03 01 2012) – This was my third or fourth time seeing this film. I think I love it a bit more every time that I do. I do like action and crime movies, but I am picky about them. There should be some plot, some characterisation, but really I watch these kind of movies to escape. My love for this film is strange in that, I don’t care about the plot or most the characters, and only just the action done by Jason Stratham. The best things about this movie are its car and martial arts sequences. It’s the mix of car chases, hand to hand combat with and without guns (with a small dash of parkour/free running) and explosions that is so typical of French action movies. This was written/produced by Luc Besson and shot in France, but with two directors, one from France. More importantly, the other co-director Corey Yuen is from Hong Kong who specializes in martial arts choregraphy. It takes the best of both worlds and has a star who is more than capable of doing the uncut fight scenes. It is the pacing that it good in this film.

I keep watching Jason Stratham movies to see if he will ever re-achieve what he did in this film, and while he has come close (The Bank Job, The Mechanic, but I haven’t seen Crank yet), I think he is as his most Strathamesque in this film.  He is not particularly emotive in this, but then again, he isn’t actually a very good dramatic or romantic actor. I dislike the romantic component in this film because the actors don’t seem to have any chemistry with each other and to be honest, it was tacked on as if to say “We need a sex component to any action film”. Shu Qi is pretty, but not particularly sexy. I know she is considered a bit of a sex symbol in Hong Kong. But I’m not watching this film for her, the romance or its plot about human trafficking. If you watch this film purely for its action, it is very good indeed.

I haven’t seen the sequels, and having heard mixed reviews about, not very interested in doing so. Maybe it’ll marr my strange love for this film by ruining my view of Frank Martin. Roger Ebert and I have similar taste in movies, and I know didn’t like this first film, but liked T2 more.

The 39 Steps

This novel is different to the film adaptations I had seen of this novel. I rather liked the tone and pacing of it. It’s a thriller written at the time of World War I and while there are some contrivances, it’s a bit like watching a good action film, you don’t really care because you become invested in the protagonist’s adventure. There are no female characters in this book other than “extras” which is fine by me, but surprised me after I saw the movies. I read that this book was popular in the trenches of the war when it was published in 1915, and I can see why. This style of thriller writing, spies, and men who are innocent but capable, was new at the time. I quite enjoyed myself, partly because the writing made me feel I was in 1914. Richard Hannay is also a  rootable character even though he’s not exactly an everyman. I am tempted to read the rest of the Hannay books.

The 39 Steps

For a short time, I actually thought I read this book around the time I watched the 1935 Alfred Hitchcock adaptation when I was a teenager. It’s a fairly short novel so I wondered why I hadn’t read it; I must have almost taken it out from the school library. The 1935 film is one of my favourite Hitchcock films and allowed me to discover Robert Donat, who is underrated as an Old Hollywood actor probably because of his early death in the 1950s. There was a 2008 BBC TV version starring Rupert Penry-Jones which I remember mostly for being different than the Hitchcock version and for the cheesy ending. Now I understand why it felt that way since there was no romantic subplot in the original book itself. There is a girl in the Hitchcock version, but it feels a bit more streamlined into the plot. The other thing I remember a lot from the 1935 version was that they made Hannay Canadian. At the time of the movie, John Buchan was Governor General of Canada so this could have been a shout-out? It amused me more that Donat was not Canadian; you don’t see a lot of Canadians featured in old Hollywood or British movies. I had a similar feeling watching Bogie as a Canadian in The African Queen. I digress, but I recommend the 1935 Alfred Hitchcock The 39 Steps especially if you like Hitchcock but haven’t seen his pre-140s work. The movie is similar to North by Northwest and made even more classic by its black and white cinematography.

Read January 30th, 2012.

This review will contain spoilers to this book and its adaptations.
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Working Girl (01 10 08) – So 80s! I like 80s Harrison Ford; he’s more fun and silly. I think this is one of the only things I’ve seen Melanie Griffth in. Odd. I really needed a girl power movie to inspire me since I can relate to the Tess McGill character somewhat.
Women on the Verge of a Nervous Breakdown (02 10 08) – This was a bit slow to get into, but there are some fun, Almodvaresque moments. I really liked the gazpacho scene at the end. I saw the dub version sadly, but still an okay film. There is a young Antonio Banderas in this movie who wears big 80s glasses.
Dream for an Insomniac (02 10 08) – A 1996 romantic comedy with Ione Skye, Jennifer Aniston, and Sean Astin’s brother Makenzie Astin. Notable things I learned, Ioane Skye really reminds me of Nicole Kidman. They have the same cheekbones and have similar eyes. I also did not know that she is folk singer Donavon’s daughter; that explains the name. This was an okay rom-com. I liked the cafe, but I do not know if I related to any of the characters at all. Ione’s character was much too intense.
Sisterhood of Traveling Pants (04 10 08) – It could have been worse. I liked the Greek scenery. It’s a bit cute if anything.
The Ipress File (06 10 08) – A spy thriller from the 1970s staring Michael Caine. It’s a tad slow moving, set in London, and has rather deadpan Caine wearing black square glasses. When he isn’t, the director likes shots of his nice eyelashes; did they put mascara on him? Since this is a 70s movie, I am inclined to think yes. Unsurprisingly, Caine is a ladies man, and his impassiveness is rather good. I can’t say it’s shot well or badly, but the director was obviously going for intense, dark spy thriller. It’s just a sloth paced thriller and most of the interesting things happen rather late. It is by no means an excellent or rewatchable film, but I liked it just for Caine’s expressions or lackthereof.
Mamma Mia (18 10 08) – The cast is the only reason to watch it. To be honest, I barely paid attention to this and did other things while it was one. It makes no sense plot wise because of Sophie’s age. Amanda Seyfried is cute in it. It isn’t bad, but that much ABBA after awhile can be irksome.

Total: 6

Rewatched Movies:
Paris Je T’aime (02 10 08) – I showed this a friend of mine who hadn’t seen it. We rewatched all but two of the vignettes. I find that most of the ones I liked initially I continued to like. The others did not grow on me. It’s still a good anthology.

Aristocrats (02 09 08) – REVIEW
In Bruges (05 09 08) – REVIEW
Thumbsucker (06 09 08) – The cast for this is very interesting and probably the best part of the film. Tilda Swinton downplays her ethereality to be nurse and mother married to L&O: CI’s Vincent D’Onofrio. Vince Vaughn appears as debate teacher who wears big glasses and ugly sweater vests. Benjamin Bratt appears as cokehead TV star and is involved in the nastiest scene of the film. Finally, Keanu Reeves plays an eccentric, sometimes New Age orthodontist (very apt). The plot was alright, and it was sweet not anything spectacular. A likable coming of age story.
The Ladykillers (06 09 08) – Alec Guinness is creepy in this film. He seemed positively vampiric. I don’t know when I’ll get over his crazy teeth and manner. It was a decent plot and acting, but I do not think I really get entertained by these comedies very much, especially since I recently saw In Bruges.
Last Orders (08 09 08) – REVIEW
St. Trinian’s (13 09 08) – I assume I did not hear a lot about this movie because it seems to have gotten mixed reviews. It really was not that bad. Some of the comedy was a little too slapsticky to me I must admit: the humping dog, the pranks, etc. Some people would find Rupert Everett in drag for the whole movie tacky; I ran with it especially since Colin Firth plays opposite. With Russell Brand and the appearance of Stephen Fry. A few others I recognized include Fenella Woolgar, Amara Karan (The Darjeeling Limited), Talulah Riley, new Bond girl Gemme Arterton, and Mischa Barton which was kind of random, but appropriate and tolerable in this circumstance. Back to the Firth thing, it is cheap, but I loved all the meta Pride and Prejudice jokes they put in.
Forgetting Sarah Marshall (14 09 08) – This is actually my first Judd Apatow related movie. While it was not too bad, I’m not running to see any other Apatow related movies soon. I liked Kristen Bell and Mila Kunis in this. Russell Brand stole every scene he was in. Jason Segel’s script and part were not too bad either, but I can really do without seeing his penis so many times in a movie. Okay overall.
The Bank Job (14 09 08) – My sixth British movie of the month! This was another really good one. It’s a clever and well acted heist movie set in the 1970s. I have no idea how true it is, probably not a lot, but the 70s art direction is nice and stuble enough. Refreshing from watching all the heist movies now with high tech gadgets. I’ve liked Jason Statham since I saw the Guy Ritchie films, and this is probably his best work since then. Really good heist movie.
Thank you for smoking (14 09 08) – Finally I saw this after it being in my movie queue for awhile. This was also my third film of the day because I have been knitting sleeves. Aaron Eckhart is very good in this; I hope he lands more good roles like this. Good cast and smart, satirical script.
Sex and the City (18 09 08) – I never followed the show; I’ve seen only a couple of episodes. I saw the extended cut version of the movie; I found the movie overall okay. I will say the best part is the eye candy for the fashion. I wanted half the stuff in the movie. The New York urban porn was nice too; something about snowing in NYC looks really good in film. One can definitely see why it’s like a cult show that they made into a movie; I like how it does explore the dynamic between female friends. Nothing too bad in the acting front really.
Lost in Austen – Fun.
The Family Stone (27 09 08) – This did nothing for me. I did not really feel for any of the characters, and the script just seemed to force all these family poignant moments. I like Rachel McAdams, but her character was annoying. I did not care for the relationship swapping halfway through. All “funny” moments were in the trailer. I guess I like some of the actors; Paul Schneider’s bit part was nice. I seem to watching lots of his films lately.
The Butterfly Effect (28 09 08) – Apparently, the critics hated this movie, but it made a lot of money. I can see how it has a wide appeal because I kind of liked it myself. Mainly due to my fascination with alternate universes, time travel, and chaos theory. The script is not that badly written, and I do like Ashton Kutcher more after seeing this. Not necessarily as a great actor, but the movie makes him look better than he usually does. Callum Keith Rennie even makes an appearance albeit for one scene. I would not watch this movie again though; it just seemed too violent for me. Quentin Tarantino movies are violent, but they are also funny. This movie had no funny moments and was quite sad and creepy for a lot of it. It was intense overall. For a moment towards the end, I thought they were going to go Hollywood and have a trite ending, but respect to the movie makers for having the ending live up to movie’s plot.
Iron Man (30 09 08) – Fun. I have been looking forward to this as I love a good summer blockbuster/ super hero movie. I have had a soft spot for RDJ for years. Someone said that he deserved this role, and honestly, he does. He’s this gem of an actor, and I’m glad he has finally found a vehicle and more opportunities to showcase his awesomeness. I like this cast. I hardly recognized Jeff Bridges in this role, and I like Terence Howard in anything. Coming off of Sliding Doors (below) and the grounded character of Pepper Potts, I did like Paltrow in this role as well. With her Spain travelogue show, I think I have to admit that I like the formerly known as fishstick. Even Paul Bettany’s voice is in this movie. Knowing that a lot of the dialogue was improvised makes me love this film even more. Looking forward to the sequels.

Total: 14.

Rewatched Movies:
Sliding Doors (15 09 08) – There are few movies I like to rewatch, and this is actually the first time I have rewatched this one. It won’t be the last time though; I have been thinking about this movie for awhile now. It came ten years ago; it’s very late 90s. The movie even features Dido’s “Thank you” which is a song that I liked way back then too. I have never been a fan of Gwyneth Paltrow, but this is the only one of her movies that I absolutely love her in. I can’t imagine the film without her, and her faux Britishness seems the most sincere here. I love the concept of this story, and the ending is bitter at first, but then very lovely overall. I hope one day I get chatted up on the tube by a guy like John Hannah’s character. Seriously, how did he go from this to being Brendan Fraser’s sidekick in the Mummy movies? He and Rachel Weisz were the only reasons I saw the first and second Mummy movies; they were pretty fun movies overall too, but even John Hannah can’t make me see the third Mummy movie. I digress though. I think Hannah is seriously underrated as an actor and a leading man as a result of how much I love this film. It’s very London and British, has an unconventional premise, and a really good romance. Now that I finally got a copy, I can be sad, be happy, and hope for a down to earth and funny guy like James.

This Booker Prize winning book by Graham Swift tells of four men on a day trip to scatter their friend’s ashes to the sea. The chapters are short and the narratives switches with each chapter. Most are told by Ray, the closest friend of the dead man Jack Dodds. There are numerous flashbacks revealing the lives of all the men and a couple of others in their lives. At first the book reminded me in a slightly of Trainspotting, the writing was colloquial but far more intelligible. They also share the a similar theme of friendship and endurance over time. As I read it, it became much more. The dialogue is quite sharp and well written; Swift has a knack for characterisation. The language and changing perspectives makes it evocative. I sometimes managed to feel the bitterness and the anger that some of the characters do when they narrate. It is very English; all the characters have a working class background and there is something very stylistic and true about the way he writes about their livelihood. If anything, it feels sincere even if real working class Londoners do not all the issues these characters did. I liked the book for the most part, but it got bit depressing the further you went. The flashbacks reveal missed opportunities, unsaid things, wrong choices, bad luck, and estranged relationships. The ending, as with life, is open ended. Not a very uplifting read, but Swift does have a good voice throughout the story.

As with the book, this is not exactly an exciting film, it has a slow languid pace, but is actually decently adapted. I thought the script made the efforts to really weave the plot, narrative switching style and flashbacks really well. As with most British movies, the cast really make it. Michael Caine, Helen Mirren, Bob Hoskins and a few others are in this. I adore Caine and Mirren so it was wonderful seeing them together. Even more delightful was the young versions of their character was played by JJ Feild, another favourite of mine and Kelly Reilly (who was in L’Auberge Espagnole; I still really want to see the sequel to that). Every time I watch a British movie, I play a game of 50 Actors and see what else I’ve seen them in. Anyway, the movie showed the characters in even a better light than in the movie and has a more hopeful tone than even the book. Well adapted.

Things I generally like include Irishmen, funny crime plots and characters, on location filming where the place becomes a secondary character, and Ralph Fiennes playing an evil bastard. He wears it well; he’s always disturbingly attractive when being a supreme psycho except when he’s Voldemort. I really liked this movie. It was funny yet had some very decent moments of poignancy, the usual dose of good acting from a British-Irish film (expect nothing less), and a very good script from first time feature director Martin McDonagh. Colin Farrell fit nicely in this flick. I’ve never found him particularly attractive and generally do not watch most of the films he’s in, but he can have pretty entertaining and decent turns in such things as Daredevil and Minority Report. He’s better when he keeps his accent, and sticks to comedy with appropriate amounts of drama. McDonagh is originally a playwright, and at certain points in the film, it does feel rather like a theatre play mostly in terms of characterizations and in the deep moments. One can definitely compare it to Layer Cake or Guy Ritchie films which are also British movies about criminals and feature violence, this one has a more sober note and setting yet still remains hilarious throughout. I look forward to McDonagh’s future films, and hopefully he works with Brendan Gleeson (already their second project), Fiennes, and Farrell again as he knows how to use them.

Aristocrats: Caroline, Emily, Louisa, and Sarah Lennox, 1740-1832 by Stella Tillyard is the biography of four high born sisters. As with many of the books I read, this languidly lay in the TBR for awhile. This one for almost a year, but I have quite forgotten where I read or learned about the books only observing that it seemed well criticised and popular enough for the BBC to make mini series on it. It is a thick history book around 450 pages hardcover and very in depth as it covers the lives of these four women. While I enjoy history immensely, I actually do read that many historical books, and to be honest, many of them are dry. This one was not only well researched, but Tillyard makes the prose feel, at times, as if one is reading a novel rather than a distant historical account. There are many academics who are readable and comprehensive, and there are many who are far from it. Tillyard is not only readable, but her writing is accessible to the public which is why this book is a bit of an oddity being very historical, biographical, and a best seller. As a result, one learns a lot about the lives of people in the UK and Ireland in the 18th century. It is not necessarily a page turner for everyone though, and I really only picked it up because I am interested in history, but you may not be curious if aristocrats, rich dead people, biographies, and English/Irish history are not your things. An interesting read none the less.

This six episode BBC series which also aired on PBS Masterpiece in 1999. I had not heard of it until I knew of the book which goes to show you that the series is not the most excellent. I have seen better to be sure even in the British costume drama. I do not think it’s necessarily a bad series; it’s actually difficult to adapt because it is a true story. The adaptors were quite faithful, and I think as with most series of this type, the acting and cast make the most of it. I quite liked Geraldine Somerville as Emily; she is very attractive in it. I did not like the Emily voice over, and the portrayal of Caroline’s storyline left me feeling depressed. The portrayal of Sarah at the beginning was difficult to see though. All in all, I thought it okay because it was a bit slow, but it did not merit too much censure or negativity. I’d take the book any day though.

Only two films in August. For many reasons, I read more, I knit more, and the Olympics were on. Also, I have been saving and storing my films for my move afraid that I will not be able to watch as many movies in my new home.

Waitress (19 08 08) – Not actually a romantic comedy as the trailers lead you to believe. It does have great chemistry between Keri Russell and the criminally hot Nathan Fillion, and lots of implausibility as you do in rom-coms. Also Andy Griffith. Pacing can be a bit slow, and there really is never enough NF, but cute flick.
Serenity (20 08 08) – Yes, I needed another excuse to watch NF again, and this time, Chiwetel Ejiofor was along for the ride. I’ve liked CE since Dirty, Pretty, Things. That reminds me that I want to see Kinky Boots, but have trouble finding a copy. In any case, I only saw one or two episodes of Firefly while it was on air. It’s a great cast, but the writing or the space cowboy concept never grabbed me. The Southern accents can be jarring. Decent sci-fic flick which is chilling and intense. Very Whedonesque.

Total: 2

Modern Times (01 07 08) – Finally, I get to see this after having seen most of his other major films. I liked it, though I think City Lights is still my favourite. I particularly like the department store scenes with him roller blading around.
Then She Found Me (04 07 08) – I will always know Helen Hunt as Jamie from Mad About You. The film was alright. Colin Firth is too attractive for his own good even as a not-suppose to be sexy single father. Bette Midler is amusing.
Half-Nelson(08 07 08) – The plot was much slower than I anticipated, but then again, I didn’t really watch this for that as Ryan Gosling just captures me on screen. Damn he is talented. I always get this weird sense of watching him because I remember his earlier TV days so well. He is so talented and good in this.
Psycho (13 07 08) – Very well done and entertaining. Even as a someone who watches lots of classic films, I managed to remain unspoiled for this making the reveal good. Hitchcock at his best, but I love lots of his other stuff as well (The 39 Steps is underrated). It really is a classic in the truest sense of the word.
Les Demoiselles de Rochefort (The Young Girls of Rochefort) (29 07 08) – I quite adore Les Parapluies de Cherbourg, and this film is just not as superior as that. It has too many characters and the plot seems not as cohesive or stands out to be special. I like that there is more dancing. There is even Gene Kelly! It had Jacques Demy’s characteristic crazy colour schemes, attention to detail and his vision.

Total: 5.

Bee Movie (01 06 08) – I love honey bees. This has a stellar voice cast; they even got Oprah. There were a lot of bee jokes, but they amused me even though they were incredibly cheesy. I guess I love bees and honey too much.
I’m not there (02-03 06 08) – REVIEW
Jumper (08 06 08) – What happened to Hayden Christensen’s voice? He must be smoking a lot. It bothered me, but not as much as Jamie Bell’s irritating character. It’s funny how the movie ends with a possibility of a sequel, but there is no way that is going to happen. I knew before I saw this movie it would not be great, but low expectations are the key to these things. At least Rachel Bilson is pretty, and they actually have decent chemistry due to their real life romance.
Coming Home (30 05 08, 14 06 08)
– I actually was looking for the other Coming Home, but got this 1998 tv mini series starring Peter O’Toole, Joanna Lumbley, and Emily Mortimer. It also stars Paul Bettany and Kiera Knightley, who plays the younger version of Mortimer’s character; she really hasn’t changed that much in a decade. I don’t know why I like Emily Mortimer; she is a frail little thing, but I like her rather mouseish, British looks and demeanor. I like that she does not scream glamour in the way Knighley and Bettany do. Also Bettany could totally be Peter O’Toole’s son. PT and JL are fabu together. Any excuse to watch either of them works for me.
Boogie Nights (22 06 08) – For some reason, I had few inclinations or knowledge of this movie before I watched it. Odd considering it’s such a cult film, but I watched it based on the rec of a friend who told me it was such a wonderful film that exemplified the 80s (she having grown up in the time era of the film). I enjoyed it. I couldn’t believe the plethora of actors who are in this film. Almost the whole cast has had best acting Oscar nominations now. Heather Graham had purpose at some point. So the acting works, and so was everything else. It was funny. It was sad. It was the late 70s, and the early 80s. It’s not something I would rewatch often because it can be so sad, but also, I was not alive for most of this era to feel nostalgic. I liked the montages, and Anderson’s film style. Actually, this is the only PT Anderson movie I’ve ever seen. Methinks I should go about getting Punch-Drunk Love now.
Marty (27 06 08) – This film was uncomfortable to watch because it was honest. I could understand the pressure about being a late bloomer, and the negative stereotypes and ideas perpetuated. I felt the ending was a bit rushed and wished for more insight. Good film.
Persepolis (29 06 08) – REVIEW
Punch-Drunk Love (29 06 08) – So I did get this movie as I said I would. I was underwhelmed and annoyed by the music. Positives include the presence of Emily Watson, Adam Sandler’s acting, and Anderson’s direction. It’s peculiar and has lots of annoying characters except Sandler who really does shine in this however slow the plot is.
Love in the Time of Cholera (30 06 08) – I did not think this was as bad as the critics made it. I’ve read the book, and while I don’t think it can capture the book (too difficult with magical realism), it had it’s nice points. Javier Bardem is wonderful and super fine for one thing, and the visuals are another bonus. It was slow, but not unbearable. The actor that played young the younger version of Bardem’s character looked a lot like Daniel Day-Lewis. It reminded me that Bardem himself is a bit like DDL in his character choices, intensity, and talent. I need to watch No Country for Old Men soon.
The Assassination of Jesse James by the Coward Robert Ford (30 06 08) – I heard that this was one of the most beautifully shot films of 2007. I must concur. The cinematography was beautiful; I like the director’s choices. The acting was great as well. I really adore Brad Pitt these days, and Casey Affleck surprised me. He was good at being the insecure twerp and transformed into someone I felt pity for. The downside is the slow plot of course. It drags at the beginning, and all the good stuff is in the second half.

Total: 10

Rewatched Movies:

Pride and Prejudice (02 06 08) – My friend who has never watched P&P and I watched the 1995 BBC mini series. It was pretty much a late marathon. I think it was my fifth time rewatching it. It is always so fun and addictive. One can appreciate the intense chemistry between Firth and Ehle. This is definitely one of my favourite mini series. I do wish they included one more scene at the end of the couple before the final scenes. I always thought the fast cut to the ending was somewhat abrupt. Also missing out the hilarity of a scene were Lizzie tells her mother. Still, one of the best series ever to watch over and over again. Never gets old.