Adam’s Rib (01 05 08) – Isn’t it fun to watch onscreen couples knowing they are offscreen couples? The chemistry is marvelous. I love the pull and tug, and neither really right, but it’s such a nice little Hepburn/Tracy rom-com. Why aren’t there more rom-coms with married people like this anymore?
Penelope (05 05 08) – Produced by Reese Witherspoon, this is a cute, quirky flick with a very great cast. They shot it in the UK so there are quite a few brits, but only some of them kept their accents (Simon Woods, Lenny Henry, Russell Brand) while the others adopted American accents (James McAvoy, Burn Gorman, Nick Frost). The movie also stars Christina Ricci as the eponymous character, Catherine O’Hara, Richard E. Grant, and Reese herself. Sweet, short, and it has James McAvoy.
Hellboy (08 05 08) – I had the chance to watch this on a flight in 2004, but I dismissed it having heard mixed reviews. Since then, I’ve heard positive things about this film, and with the sequel imminent this fall, I decided to watch it. It’s my second chance at watching Guilerrmo del Toro after Pan’s Labyrinth. I can see his distinct dark fantastical style in both movies. Also, both films have fascists. I do think this film’s script is not the best comic book adaptation, but it really makes up for it with the characters. The romance is kinda sweet albeit rushed through the film. It’s fun and quirky too; I look forward to the sequel.
A World Without Thieves (09 05 08) – This is a Chinese movie starring Andy Lau; it’s okay. Lau’s wig is ugly, and all the females in Chinese movies are bone thin. They shot some of it in Eastern China, but it’s not exactly a strong script and some of the poignant, spiritual scenes are flat.
Message in a Bottle (11 05 08) – I refuse to read another Nicholas Sparks novel, but I actually like the casting in all the movie adaptations. I didn’t even recognize Princess Buttercup (Robin Wright Penn) in this movie. Kevin Costner wasn’t that bad, but he is no Ryan Gosling. I love Paul Newman. That is all.
Cranford (4, 11-12 05 08) – What is it about Elizabeth Gaskell that makes her books so adaptable to screen? I have yet to see an adaptation of Gaskell’s novels I did not like or am indifferent too (same can not be said for the Brontes and Ms Austen). This is actually based on three Gaskell novels, and the creators have weaved the stories so effortlessly and beautifully. The acting is magnificent. There is a lot of humor, a lot of death, but a lot of warmth too. Wonderfully done.
Todo sobre mi madre (All About my Mother) (12 05 08) – None of the Almodóvar movies I’ve seen so far are all that realistic in plots, but the important thing is that they all have raw and real emotional, beautifully written, acted and shot. I like the ambiguity and the humanity of all his characters; nothing is clear cut, and there is love and feeling amidst it all. I can understand why many think this is still his most mature film to date. This one has so many layers and themes with All About Eve and A Streetcar Named Desire attached to it. Almodóvar is love.
The Forbidden Kingdom (17 05 08) – So you don’t watch these movies for plot consistencies, dialogue or even characters. It’s all about the action sequences and the cinematography in China is very well done. Still, I am not going to lie: I cringed at some of the plot turns. Why did Sparrow speak in third person?!
Lust, Caution (19 05 08) – REVIEW.
The Ghost and Mrs. Muir (30 05 08) – A supernatural romance where Gene Tierney (Mrs. Muir) and Rex Harrison (the ghost Captain Gregg) fall in love. It is rather sweet, and I found myself relating to Mrs. Muir’s solitary nature. I am pretty sure this was the first time I’ve seen a Tierney film, and like the third time I’ve seen Harrison. They have such nice chemistry too. I have not watched George Sanders in a lot things, but he does play assholes really well.